* 2007

3 Sisters * 3sis: Realism & Method Forum [archives] * Chekhov @ Amazon *

2006: all updates are @ RAT (Russian American Theatre)

Chekhov on DVD

Chekhov Books

Chekhov Plays


Mary Poppins Tickets Wicked Tickets Tarzan Tickets Cirque du Soleil Tickets

[ advertising space : webmaster ]

Stage Directing Theory
Directing Theory: pre-text, text and super-text
M. Chekhov -- Acting One: Fundamentals
Links


webmaster
Gogol: Inspector General

Gorky on Chekhov *

Directing Showcases
3 Sisters, Mikado, 12th Night, Hamlet, The Importance of Being Earnest, Dangerous Liaisons, Don Juan
prof. Anatoly Antohin Theatre UAF AK 99775 USA (907)474-7751
Film-Classes
* Themes Page Theatre Theory *
Forums
my eGroups

2007 : text : 1 * 2 * 3 : images

New: Moscow play -- Russian Pages * Internet2 Day presentation *

* Caligari 2009 - Lul 2010

2004: webplans

Virtual Theatre

Summary

Four by Chekhov:

The Seagull

Three Sisters

The Cherry Orchard

Uncle Vanya

"Small Chekhov":

Wedding & More

Boor

Virtual 3 Sisters

Russian & Soviet Theatre (Rudnitzki) *
Russian American Theatre Archives

Questions

Through our partnership with Amazon.com, we are offering an exclusive Film-North version of the award winning Alexa Toolbar. This toolbar is a great way to surf the web because it constantly provides you with Related Links. It's a great time saver! Plus, when you download and use the toolbar, you'll help support Film-North.
2005: Total Acting & Total Directing *
amazon.com:
filmplus.org + vtheatre.net
Letters of Anton Chekhov to his family and friends -- With a Biographical Sketch, Translated by Constance Garnett * eBooks@Adelaide 2004

Notes

3 Sisters Fomenko, Golden Mask 2006 : Первый сюрприз поджидает зрителя «Трех сестер» еще до начала действия: в углу сцены за конторкой сидит Чехов (сверимся с программкой: там персонаж Олега Любимова назван просто Человеком в пенсне). По ходу пьесы он, читая отрывки из чеховских писем, будет не то чтобы делать заметки на полях, а скорее осуществлять авторский надзор, делясь с публикой сомнениями относительно, скажем, того, можно ли доверять Станиславскому самостоятельную работу: нет-нет, надо непременно ходить на все репетиции!
fomenko.theatre.ru

Beckett and Chekhov (Godot 2006)

MethodActing
Chekhov + Stanislavsky

* * * * * * * * * * * * * * * * * *
Performing Chekhov -- Mobipocket eBooks * By: David Allen Price: $19.99

alone-godot06
Waiting for Godot


©2006 Fall:

Pinter
Homecoming

2007 Spring:

Oleanna
Mamet

2008 Stoppard

...


Index * Shows * METHOD acting * Books * Script Analysis * Acting * Directing * appendix * links * list * biblio * Russian American Theatre * Theatre Theory * BioMechanics * Film-North * Bookmark vTheatre! theorytheatre theory Anatoly Blogs - News

PS

Updates...
This is a template, the project isn't over to write PS.

Of course, there was no time for post-production and we are left with the miles of the videotapes.

PS are the transition pages... Go to other directories affiliated with "3 Sisters" -- Chekhov pages, Method Acting or StageMatrix (directing).


(from 3sis Forum) Date: Fri Sep 24, 1999 5:49 pm
Subject: [3sis] Virtual Theatre Manifesto

Anatoly-
Do you realize what this means? This means you are in space and time as variables. There are too many perpendicular lines…Epic and Drama…
But I think that individual points need to be clarified. It is amazing some of the combinations, but they need to be pulled apart. To begin with, who is your audience? Each is going to require a different type/level of explanation. It should be step by step. You are combining three schools here in one swift blow, so it should be a gradual explanatory process. The Brecht, Artaud, and Eisenstein are all sleeping in the same bed…but how? The focus on individual items to convey meaning is from Eisenstein, and is the benefit from the use of film. The HTML separates itself from the film in the process however. What you are attempting sounds more like Dionysus in 69 than Wild Strawberries. There are "Cruelty" aspects with the actors struggle being so obvious to the audience. The live audience won't be allowed to forget for a minute that they are watching the play- the equipment alone will do that. Sorry that this is such a simplified breakdown, but it was just the area that I was thinking you might be going with Virtual Theatre.
I see the process being on-line to be a use of HTML, but I don't see the live broadcast that different from TV when it boils right down to it.
It is the process that works on the web, and works in demonstration- this is educational theatre, and therefore process is stressed. The new process to me is what is interesting.
I have been observing the web as a great communication tool. I do come from a background of gay activism, so I am biased. I have seen within the GLBTS rights struggle, a community and civil action has been formed through binary code and html. Ruralites were able to connect to those in the ghetto, and if there is a hate crime in Bethel I get an email the next day (which is good because the newspaper is still lax to report anything). So I am biased in that I can see the effect that it can have.
I think this is what Alan Ginsburg would have wanted when he said that everyone should have free and complete access to printing presses. So everyone can do his or her own independent comics… Even photocopies inspired artist like Barbara Kruger to invent a new genre; the Internet should become a medium for performance. Sorry for my rambling, I am just very excited about the direction that things are going in.
I just think a manifesto can go into either more depth or be very specific and simplified. Each point should be a thesis for a full textbook to be written. As it stands I left feeling vaguely confused about something I have been dealing with for some time… That's my two cents for now… Thanks,
Jason


Let me repeat myself (from Film600 and script.vtheatre.net):

Where teaching and studying (research) meet --

Theme-thought, according to different playwrights (Shakespeare, Ibsen, Strindberg, Chekhov and so on) and directors (Fillini, Kurosawa, Tarkovsky, Bergman pages).

Connections with other themes (list): family, gender and sex...

Finally, my own practical investigations: shows.vtheatre.net (only recently I began to make themes pages, Don Juan 2003, for example).

And the nonfiction (writing), of course: HIM, Father-Russia, PostAmeriKa, Self, POV, Tech (gatepages are in WRITE directory).

Yeah, yeah, there is more -- "philo" pages, metaphysics: in theatre theory directory, for instance (topics-bar: space, time and etc.)
Plus, Virtual Theatre and Book of Spectator!

Web? Oh, this is just medium. Like stage, screen, writing...

...
2009 --
3sisters
Cyber Chekhov: Virtual Theatre
Next: HamletDreams 2001

Vrubel
©2004 filmplus.org *
* home * about * guide * classes * advertise * faq * contact * news * forums * mailing list * bookstore * ebooks * search * calendar * submit your link * web *
@2001-2005 shows * *
film house vtheatre books acting pen map-mining movies-forum

Brodsky DVD

Russian Movies

Russian Classical Music

Russian Children Books

Russian History

Russian Art

Russian Politics

Russian Culture

Russian Literature

Russian People Up-level

Film-North * Anatoly Antohin *
View My Stats

cite: anatoly antohin. URL + date [ my shows : 1. writer * 2. director * 3. dramaturg * 4. actor ]

What Are You Looking For? = FAQ

support pages: appendix * links * biblio * new * glossary * list * faq * images * archives * google.com/group/vtheatre : russian corner *