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Showcase & case study: I don't know, if I will be able to complete 17 pages "scene-by-scene" commentary and the pages on all characters. Plus, the set and etc. And this time we do not do anything "virtual"... Well, there is a screen for the shadow theatre (images).
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3 Sisters, Mikado, 12th Night, Hamlet, The Importance of Being Earnest, Dangerous Liaisons, Don Juan
prof. Anatoly Antohin Theatre UAF AK 99775 USA (907)474-7751
He sees his own death in his dreams (the shadow sceen), but first the sounds -- and he screams like a dying man, long, like an animal -- and then we return to the scene as nothing had happened.
I have to stay with the theme: sex = death.
Does he know that Merteuil is evil? Is this her attractiveness for him?
What is special about him? He doesn't love anybody. He doesn't love himself....
How to show that he seeks and afraids of love?
Loading his pistol (start the show with it?) and fencing on his own (shadow fight). Scenes 17 & 18 together. He isn't drunk, plays drunk. As always -- the game. Even his death must be staged. (Lotman on the forms of behavior of the Russian aristocracy of the Katrine the Great era). The Decembrist revolt was the end of the generation which saw itself as the actors on public stage -- life (the end of the romaticism).
Where is the picture of "Dying Christ" (dead) -- Durer, Leonardo? His death, duel.
"Why do you suppose we only feel compelled to chase the ones who run away?" - Valmont
"Immaturity?" - Merteuil
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http://www.godamongdirectors.com/scripts/cruelint.txt script online *