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Theatre UAF season * Fall'06 Pinter Project
Mary Poppins Tickets Wicked Tickets Tarzan Tickets Cirque du Soleil Tickets [ advertising space : webmaster ] ![]() Monologue (Lucky) and Shaman * theatre uaf * act 1 & act 2 notes * vtheatre list (cast, crew) Movement design for character = Mask? Many masks? Medals, orders. White gloves. Makeup? Bench (image) -- where? Audience! 2006 = Becketts' 100 birthday! Theatre UAF Of course, the platonic connotation of master and slave is too obvious. And the notion of slavery is an act of mercy for them, who cannot take care of themselves.
As a writer I am used to total Idendification and have to "live tha part" from within. Anatoly as Lucky, or Lucky-Anatoly. Silent. Full of knowledge (full of sh...) and trying to keep everything from the past with me. Omnia mia mecum porte. (sp.) Everything mine a cary with me (Latin). Pozzo's.
Pozzo is Beckett's wife? Lucky is the most diffuicult part in the play! (Two faces of Lucky...)
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Blog
FAQ-- postmodern knowledge (Lucky's knowledge)
In the course of the play it becomes increasingly apparent that Vladimir and Estragon are, relative to Godot, in the same servile position Lucky is, especially with respect to the doubly-violent end to his deconstructive think.
... Their minds are slaves to Godot in the same way Lucky's body is a slave to Pozzo. [ notes p. 111 ]
... asynopsisandanalysisoftheplaybySamuelBeckett ...
Lucky' speech is a "direct" irony (blank parody), very postmodern.
... TheplotofSamuelBeckett'sWaitingforGodotissimpletorelate. (Should I keep the puntuation?) Two tramps are waiting by a sickly looking tree for the arrival of M. Godot. ... http://www.theatrehistory.com/french/beckett002.html
Use the "right click" to see the meta tags at every webpage -- and you will hear Lucky speaks... "Keywords" -- who reads them? Robots. Machines.
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http://shows.vtheatre.net/godot/pix (list)
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upstage [1] [ls]
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[2] stamp (stage-on-stage)
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[3]
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center [4] [ms]
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[5]
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[6]
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downstage [7] [cu]
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[8]
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[9]
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scene/monologue ____________
Lucky uses the road only (leaves the stage during his monologue and comes back).
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©2006 Anatoly Antohin *
Permission to link is granted *
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