A comedy... about tragedy
text

sound

pix

characters

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control panelwhere?

narratives

... Rosencrantz & Guildenstern are Dead script -- cut at [godot/doc/stoppard]

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pomo.vtheatre.net

NEW: See the photos @ Theatre UAF official website! 2008 HAMLET (flickr slideshow) R+G are Dead

* Calendar of the web-events will be posted in ...!

... Afterthoughts :

weak play [dramatic composition]; Pinter is a child of Beckett, and Stoppard?

Albee didn't answer Charlie Ross.

And what to say about Shepard?

Or Mamet?

In short, "pomo drama" = no drama, but "texts"...

dramaturgy pages

... but I undertsnad Stoppard. The world is flat, not as a stage.


hamletdreams * texts * show
new : notes : 2007 :

...

Anatoly Antohin

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1990 movie:
Author: N.Bulanski from Michigan
Imagine if you will, two talented actors. They are playing quite small roles... the smallest roles in the play so are given no form of direction or motivation for their parts. They are simply told they are "sent for". They are told they are "Rosencrantz and Guildenstern" but no one fully indicated to them which of them were which. No they are thrust bodily into the play itself (Hamlet) and stripped of all their memories of their life before... they have become the characters. They know their cues, instinctively know their lines, but no one bothered to tell them the plot of the play, leaving them to figure it out (or not) for themselves. Their only source of any kind of direction is a player (Dreyfuss) who gives them a rudimentary crash course on dying and tragedy itself ("Generally speaking, things have gone about as far as they can possibly go, when things have gotten about as bad as they can reasonably get.")... and ("We are tragedians. We follow directions. There is no choice involved.") This is Rosencrantz and Guildenstern Are Dead. And it is the funniest intellectually stimulating comedy I've ever seen. Oldman and Roth deliver a wonderful performance, always desperately struggling "get it" but never quite fully understanding what's going on around them. Oldman's portrayal of the existentially distracted Rosencrantz... or is that Guildenstern... was brilliant! (G: Is that you? R: I don't know! G: (disgustedly) It's you.) Viewers who delighted in the "verbal tennis" match might also notice that this really goes on through out the movie. (Player: But why? R: Exactly! G: Exactly what? R: Exactly why. G: Why what? R: What? G: Why? Why what, exactly?) It's truly sad that this movie doesn't get the recognition that it deserves. See Hamlet... become familiar with the story line... and then see this movie. It is quite worth the effort. I give it a 10 out of 10. *

... director's notes.


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