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![]() ShowCases: 3 Sisters, Mikado, 12th Night, Hamlet, The Importance of Being Earnest, Dangerous Liaisons, Don Juan SummaryCast = 3 + 1 + 15 (chorus)The story of Oedipus and his children was the most famous legendary cycle of ancient Greece after the Trojan cycle. It inspired ¨¡schylus a cycle known as the Theban tetralogy, made up of three tragedies : Laius, Oedipus and The Seven against Thebes, and a satirical drama : The Sphinx, of which only The Seven against Thebes is still extant ; it also inspired several tragedies to Sophocles, of which Oedipus Tyrannus, Antigone and Oedipus at Colonus are still extant, and to Euripides, including a lost Antigone and the extant Phoenician Women and Suppliants; Oedipus is mentioned only twice in Plato's dialogues, both times in the Laws.
NotesThe title of our play is often given in its Latin translation "Oedipus Rex", rather than in its original Greek ("Oedipus Tyranneus"), since the Greek term for king is the English "tyrant" which means a monarch who rules without the consent of the people. ...the city of Thebes was afflicted with a monster which infested the highroad. It was called the Sphinx. It had the body of a lion and the upper part of a woman. It lay crouched on the top of a rock, and arrested all travellers who came that way, proposing to them a riddle, with the condition that those who could solve it should pass safe, but those who failed should be killed. Not one had yet succeeded in solving it, and all had been slain.Oedipus was not daunted by these alarming accounts, but boldly advanced to the trial. The Sphinx asked him, "What animal is that which in the morning goes on four feet, at noon on two, and in the evening upon three?" Oedipus replied, "Man, who in childhood creeps on hands and knees, in manhood walks erect, and in old age with the aid of a staff." The Sphinx was so mortified at the solving of her riddle that she cast herself down the rock and perished. [ from Bulfinch's Mythology ] Thebes was the largest and richest city of Boeotia, owing to the fertility of its territory. In mythological traditions, it was founded by Cadmus, a Phoenician, son of Agenor, king of Sidon (or Tyre, in Syria), himself the son of Poseidon and a descendant of Zeus and Io through his mother Libya. Cadmus had a sister named Europa who was abducted by Zeus under the guise of a bull (Zeus brought her to Crete and, from her, had three sons : Minos, Sarpedon and Rhadamanthus). Agenor then ordered Cadmus and his brothers Thasus , Phoenix and Cilix to go search for their sister and not come back till they had found her. Each one took a different road and, unable to find her, they kept going, founding city after city along their way. These wanderings led Cadmus in Crete, Thera, Samothrace, Rhodes and in many other place. Cadmus was eventually ordered by the oracle of Delphi to stop searching his sister and found a city where, upon following a cow, the animal would stop of exhaustion. The cow he thus followed stopped at the location of what became Thebes. In order to cleanse the cow before offering it in sacrifice to Athena, Cadmus sent some of his companions draw water from a neighboring spring. But there, they were killed by a dragon. Upon seeing that, Cadmus fought and killed the dragon and Athena, appearing to him, suggested that he sow the teeth of the dead animal. As soon as he had done this, armed warriors sprang from the earth. Feeling threatened by these men, Cadmus threw stones in the middle of them. Not knowing where the stones came from, the "sowed men" (the Spartoi, as they became called) killed each other, except for five of them, one of whom, Echion, later married Agave, a daughter of Cadmus. To expiate the murder of the dragon, Cadmus had to serve Ares for eight year, and after that, with the help of Athena, he became king of Thebes and Zeus gave him Harmonia, the daughter of Ares and Aphrodite, for wife. All the gods attended the wedding of Cadmus and Harmonia, where the Muses sang, and they brought gifts to the bride, including a wonderful dress weaved by the Graces (Charites inGreek), daughters of Zeus, and a golden necklace made by Hephaistus (which would later play a role in the expedition of the Seven against Thebes, in the time of Adrastus, king of Argos). [Herodotus, in his Histories, V, 57-58, credits Cadmus and his Phoenician companions with introducing many new techniques in Greece, including the alphabet (and indeed, the Greek alphabet is derived from the Phoenician alphabet, which is the first known alphabet, that is, a writing system based on letters representing elementary sounds rather than ideograms, like the Egyptian hieroglyphs, or syllables, like the Cretan Linear A and B writing systems that preceeded it ; this alphabet was invented by the Phoenicians around 1100 B. C. and introduced in Greece probably around the end of the IXth century B. C. or beginning of the VIIIth ; the main innovation of the Greeks with respect to writing was to add letters for vowels to an alphabet which, like today's Hebrew or Arabic alphabets, included only consonants). Plato too alludes to the story of Cadmus in several places : at Menexenus, 245d, he mentions the offspring of Cadmus as not being genuine Greeks ; at Laws, II, 663e, he mentions the story of "the Sidonian" and the sowing of the teeth as an example of how easy it is to make people believe a worthy lie, in keeping with what was said at Republic, III, 414b, sq about the noble lie, with a reference to the same "Phoenician story" ; the story of the sowed men fighting each other is behind Plato's reference to "Cadmeian victories" at Laws, I, 641c to show the ill effects of pride in victory ; then, in the Ph¯do, Socrates compares Simmias and Cebes, who are Thebans, to Harmonia and Cadmus respectively, when moving from the answer to Simmias objection of the soul-harmony to the answer to Cebes' objection (Ph¯do, 95a). ] Cadmus and Harmonia had several children : Polydorus, a son, and four daughters, Autonoe, Ino, Agave and Semele. Semele was loved by Zeus and, when Hera learned that she was pregnant, filled with jealousy, she suggested Semele to ask Zeus to appear to her in all his glory. Zeus, who had promised her to do all she would ask, showed himself amidst lightnings and thunderstorms, which Semele couldn't bear and which caused her death. Zeus immediately removed the child she was bearing (she was in her sixth month of pregnancy) and sewed him in his own thigh, until the time of birth came and Dionysus (the "twice-born") was born in perfect health. Zeus entrusted the baby to Hermes, who gave him to his mother's sister Ino and her husband Athamas, king of Coronea (or Orchomenus) in Boeotia, and brother of Sisyphus, king of Corinth. But Hera, still jealous, struck Athamas with madness, so that he killed one of the sons he had had from Ino. Ino herself, rendered mad by this, killed her other son, Melicertes, by plunging him into a pot of boiling water, and then, killed herself by jumping into the sea, somewhere between Corinth and Megara, with the body of her dead son, and thereafter became a marine goddess under the name Leucothea ("the white goddess"). According to some traditions, the Isthmian games, that were celebrated near Corinth, were instituted by Sisyphus in honor of his nephew Melicertes.
Special lecture: "Open house" lecture about Sophocles, Oedipus, Greek mythology and more. Featuring the Stage Director of Oedipus Rex Anatoly Anohin, Set Designer Timaree McCormick, Lillian Corti "Blindness, Sight, and Psycoanalysis in Oedipus" of the UAF English Department and Dr. Joseph Thompson "Oedipus Rex and the Oracle at Delphi" of the UAF Philosophy & Humanities Department. Monday, March 28, 5:30pm in the Lee H. Salisbury Theatre Oedipus Rex Educational go there and -- Download our handout 630k pdf Pasolini: 1967
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(Audience claps)
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Oedipus Tyrannus
There are many great websites to give the background of the story (history and myth); one of them Thebes ***
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Characters:
Oedipus, King of ThebesJocasta, his Consort and wife
Creon, brother of Jocasta
Tiresias, the blind prophet
A Priest, of Zeus
First Messenger
Second Messenger
A Shepherd
Chorus, of Theban Elders
Scene: Before the wealthy dwelling of Oedipus at Thebes
UAF Cast list is @ www.uaf.edu/theatre
Chorus was reduced to 6+ members
Screens: preshow, act II (scene III) and finale. Also, over all odes.
"Educational outreach" program (Schools in Fairbanks) and discussion/forums with the public -- shows.vtheatre.net/oedipus/doc
Images (Misha Godin) and THR331 Directing class (with Set Design class students).
Light -- Kade (light)
Set - Theatre UAF (model)
Publicity -- poster, programs, logo and etc.
Next show: mini-chekhov Fall 2005 (Four Farces & One Funeral).
Press: newspapers' reviews
Maybe even the TV clips (on Theatre UAF site)
Use of Oedipus (scenes, monologues) in my classes -- Tragedy Page and Classics (script analysis) -- collect links.
Use of groups.yahoo.com/group/3sis: Realism and Method Acting (Spring 2006)
I will post the reactions/reviews from the students and school kids, when the show is over.
In Iliad XXIII, we read about one Mecisteus, who "went once to Thebes after the fall of Oedipus, to attend his funeral, and he beat all the people of Cadmus", evidently at boxing (funeral games) which is the subject of the passage. In the Odyssey XI's catalogue of shades, We read, "I also saw fair Epicaste mother of king Oedipodes whose awful lot it was to marry her own son without suspecting it. He married her after having killed his father, but the gods proclaimed the whole story to the world; whereon he remained king of Thebes, in great grief for the spite the gods had borne him; but Epicaste went to the house of the mighty jailor Hades, having hanged herself for grief, and the avenging spirits haunted him as for an outraged mother -- to his ruing bitterly thereafter."
Aristotle: Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. -- VI Poetics
Aristotle never mentions theme, the thoughts about life on which tragedies can be based!!
Aristotle: But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will then be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. We may instance the statue of Mitys at Argos, which fell upon his murderer while he was a spectator at a festival, and killed him. Such events seem not to be due to mere chance. Plots, therefore, constructed on these principles are necessarily the best. -- IX
www.temple.edu/classics/oedipus.html
Sophocles NEVER suggests that Oedipus has brought his destiny on himself by any "ungodly pride" (hybris) or "tragic flaw" (hamartia).
The Golden Age of Athens was a time for thinkers, scientists, inventors, and for people to share ideas freely. Greeks were very impressed with reason, and must surely have been asking whether they still believed in their mythology. "Social conservatives" prosecuted Socrates for expressing doubts about "the gods", but only because they thought this would corrupt the minds of young people. (Does this sound familiar?) http://www.pathguy.com/oedipus.htm
Aristotle: A well-constructed plot should, therefore, be single in its issue, rather than double as some maintain. The change of fortune should be not from bad to good, but, reversely, from good to bad. It should come about as the result not of vice, but of some great error or frailty, in a character either such as we have described, or better rather than worse. The practice of the stage bears out our view. -- XIII
... In respect of Character there are four things to be aimed at. First, and most important, it must be good. Now any speech or action that manifests moral purpose of any kind will be expressive of character: the character will be good if the purpose is good.
... [ Somebody may ask you about Sophocles portraying people as they should be, and Euripides portraying people as they are. Sophocles shows Oedipus as gracious, capable, and altruistic. Sophocles has Ajax write a magnificent suicide note and end a useful life rather than live with the stigma of mental illness. Sophocles has Orestes kill his own mother without a lick of regret, making a speech about how everybody who breaks any law should be summarily executed. Euripides, by contrast, shows a woman murdering her two children in cold blood just to get back at their father. ]
Sophocles's theme rings partially true to those of us who approach the universe with a sense of awe, as a mystery where perhaps there is more than there appears to be. http://www.pathguy.com/oedipus.htm