* 2007
  1. Act I
    • scene 1
    • scene 2 & so on
  2. Act II
    • scene 1
    • scene 2 ...
[notes -- French scenes]

Lul-Americana?
Edward Albee wikipedia

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Stage Directing Theory
Directing Theory: pre-text, text and super-text
Edward Albee: A Casebook by Bruce J.Mann; Routledge, 2003 - 1: Three Tall Women: Return to the Muses - 2: Edward Albee: a Retrospective (And Beyond) - 3: Absurdly American: Rediscovering the Representation of Violence in the Zoo Story - 4: "Good, Better, Best, Bested": the Failure of American Typology in Who's Afraid of Virginia Woolf? - 5: Like Father, like Son: the Ciphermale in a Delicate Balance and Malcolm - 6: Forging Text into Theatre: Edward Albee Directs Box and Quotations from Chairman Mao Tse-Tung - 7: A Demistified Mystique: All Over and the Fall of the Cult of True Womanhood - 8: The Lady from Dubuque: into the Labyrinth - 9: Postmodernist Tensions in Albee's Recent Plays - 10: Directing Three Tall Women - 11: Interview with Edward Albee

script.vtheatre.net/albee

anatoly.org


Who is Afraid of Virginia Woolf

Albee * intro

pomo americana -- pomo.vtheatre.net

Zoo Story -- direct.vtheatre.net

amdrama & pmdrama

Albee & Beckett... See who's visiting this page. Up-level

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600 Files: wrong subjects, bad theories

"What could be worse than getting to the end of your life and realizing you hadn't lived it?"

BAFTA Award for Best Film from any Source 1966 -- a film adaptation of the play was directed by Mike Nichols and starred Elizabeth Taylor as Martha and Richard Burton as George.

Runtime Listing: 131 mins. Color/BW: Black and White * Sound: Mono

-------------------------------------------------------------------------------- At 2 a.m. on the campus of a New England college, a middle-aged professor of history and his wife return home from a party. Their life together, after 20 years of marriage, is dominated by violent arguments tempered by occasional moments of tenderness. George, the husband, is a victim of lost idealism--a fact that his wife, Martha, eagerly points out by constantly comparing him to her father, the president of the college. Martha conceals her own vulnerability and frustration behind a show of loud vulgarity. She has created an imaginary son, and George has indulged her in the pretense, partially for his own sake as well. Earlier in the evening, Martha invited a faculty couple, Nick and Honey, to drop by for a drink; as soon as they arrive, Martha begins making flagrant advances toward the younger man. Honey, embarrassed by Martha's behavior and unaccustomed to so much liquor, becomes ill. Intoxicated, Nick confides to George that he married Honey because she falsely told him that she was pregnant. The long night of drinking and quarreling wears on, and Martha eventually lures the opportunistic and drunken Nick to her bedroom upstairs, while George watches their shadows from the yard below. When he learns that Martha has told Honey about their son, George brutally destroys his wife's fantasy by announcing that the son is dead. He then reduces her to hysteria by conducting a mock funeral service in Latin. With the coming of dawn, the guests depart. Physically and emotionally exhausted, George and Martha share a moment of silence.

Based on the play Who's Afraid of Virginia Woolf? by Edward Albee (New York, 13 Oct 1962).

Won 5 Oscars. Another 13 wins & 18 nominations

0451218590 play -- The three acts of the play are suggestively subtitled: "Fun and Games," "Walpurgisnacht," and "The Exorcism." "Who's Afraid..." is a memorable text, filled with bitter humor, rage, and despair.

Edward Albee: A Singular Journey (Paperback) by Mel Gussow 1557834474

notes:

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