* 2007
Oscar Wilde @ Amazon
*
WWWilde: Click to View or Add Text.
drama + comedy + postmodern + time + space + death + sex + resurrection + history + self + family + biblio
images Theatre UAF
[ advertising space : webmaster ] Stage Directing Theory
Links
Featured Pages: Production and Glossary (a must for every directory?)
Each character must be established: 5Ws (acting). Plus, the directorial take. Working the costume designer.
From "understanding" to visualization and physicalization. Actors: Mater-Gesture, vocalization (accent, etc.), walk.
Importance of Being Earnest play online
* Back to Fundamentals of Acting Directory I(* required to subscribe, if in Acting One class!)
* WWWilde Forum
* Wilde Page in Script Analysis
* Wilde & Biomechanics , plus Scenes and Mono pages!
Dangerous Liaisons: Click to View or Add Text.
View Sign
Comedy & Comical
Wilde Page in Script Analysis
Monologues: Click to View List Entries.
ShowCases: 3 Sisters , Mikado , 12th Night , Hamlet , The Importance of Being Earnest , Dangerous Liaisons , Don Juan Anatoly Antohin Theatre UAF AK 99775 USA (907)474-5253 Themes Page Theatre Theory *
THR121 Fundamentals of Acting Textbook Spring 2003:Acting in Person and in Style Subscribe to my Open Class @ 3sisters THR221 Intermediate Acting (BM) Textbook Spring 2003:Actors on Acting Subscribe to my Open Class @ 12night Spring 2003: THR331 Fundamentals of Stage Directing Textbook :The Director's Eye Subscribe to my Open Class @ Directing ! THR334 Film & Movies Textbook Spring 2003:How to Read a Film Subscribe to Open Class @ 200x Aesthetics Reading List(s) : Click to View or Add Text.
act.vtheatre.net : fundamentals of acting ]Grammar of Drama: Click to View Links.
2005: Total Acting & Total Directing *
Film Directing "showcase" ^
* March 2006: Go.dot -- 100 years since Sam Beckett 's birth * Internet2 Day presentation *
↑ Grab this Headline Animator
vTheatre : postmodern project
...
Index * Theatre w/Anatoly * SHOWS * Links * List * PLAYS * Theatre Theory * Biomechanics * Classes * Directing: StageMatrix * ScriptAnalysis * ACTING Books * biblio * Classes * METHOD * theatre blog
Analysis
Plyscript analysis is from (my) director's POV. Even the etextbook on script analysis I consider to be aimed at actors, directors (a nd maybe designers as well).
It has to be done together with developing the concept (historical and current connotations).
You should read pages on Pre-production period: Pre .
If your homework is not done, don't go for rehearsals, please!
You have to "live" with the play, director. You have to marry it!
Lines of analysis
* Dramatic (understanding the form, the meaning of the play, according to Aristotle's 3 structural priciples)
* Character Analysis (for Actors)
* Designers (set, light, sound -- I began to make pages for each)
[ later ]
[ Start working on the show ten years ahead of rehearsing it! ]
Spring 2003 Don Juan
Notes Finally, the self-evaluation: what did I learn from directing this show? How different I am now?
In this directory and others, while working on the show (before, during and after) I try to form the system for student-directors (what to ask yourself, how to approach different aspect of production and etc.) -- I hope that going from one showcase (3 Sisters, Hamlet, Wilde) I can find the matrix of "building a show."
There are the shows I directed I cannot use the spripts on the web (Island, Reckless, Who Is Afraid of virginia Woolf, Dangerous Liaisons), but the directors work remain the same. See notes pages in production directories, where I talk to myself.
WWWilde Links: Click to View Links.
buy oscar widle @ amazon
The Theatre Banner Exchange 2006 Random Page :
* home * about * guide * classes * advertise * faq * contact * news * forums * mailing list * bookstore * search * calendar *
@2001-2003 shows *
Drama: Click to View or Add Text.
Playscript Analysis of History: Click to View or Add Links.
2005 -2006 Theatre UAF Season: Four Farces + One Funeral & Godot'06
Film-North * Anatoly Antohin
*
View My Stats
* cite: anatoly antohin . URL + datemy shows : 1. writer * 2. director * 3. dramaturg * 4. actor ]
Albatross From: Monty Python Live at the Hollywood Bowl
Salesman: (shouting) Albatross....albatross....albatross....
albatross....albatross...albatross....albatross....albatross
Man: Two good humors please.
Salesman: I haven't got any good humors, I've just got this bloody albatross....(shouts) Albatross
Man: What flavor is it?
Salesman: It's a bird mate, it's a bloody bird, it's not any bloody flavor....(shouts) Albatross
Man: It's got to be some flavor, I mean everything's got a flavor.
Salesman: All right, it's blood albatross flavor, it's bloody sea bloody bird bloody flavor.... (shouts) Albatross
Man: Do you get wafers with it?
Salesman: Course you don't get bloody wafers with it, it's a bloody albatross isn't it...(shouts) Albatross
Man: I'll have two please.
Salesman: I've only got one you cocksucker....(shouts) Albatross....albatross.... albatross....albatross
shows photo-archives:Godot'06
wwwilde * new
support pages : [ 0 ] [ 1 ] [ 2007 ] appendix * links * notes * faq * list * references * biblio * contents * images * archives * T-blog *
Importance of Being Earnest play online
